“Always design a thing by considering it in its next larger context — a chair in a room, a room in a house, a house in an environment, an environment in a city plan” — Eliel Saarinen
Fascism rarely makes a dramatic entrance. Typically, it begins with a seemingly minor character—Mussolini in a crowded cellar, Hitler on a street corner—who steps forward only as dramatic events unfold. The story advances when the opportunity to act comes and Fascists alone are prepared to strike. That is when small aggressions, if unopposed, grow into larger ones, when what was objectionable is accepted, and when contrarian voices are drowned out.
What makes a movement Fascist is not ideology but the willingness to do whatever is necessary—including the use of force and trampling on the rights of others—to achieve victory and command obedience.